The Artist Is Present wasn’t just a performance. It was a turning point in performance art history. For decades, Marina Abramović had pushed her body to its limits, testing pain, endurance, violence, control. But this work was different. Here, the “act” was nothing. Just sitting. Just existing. Just being seen. It turned the audience into the artwork. It made time visible. It made stillness unbearable. When Ulay sat down, all that theory collapsed into something personal. Art became memory. Pres

Lecture 06 Performance